Dan Walsh 4:19 PM (4 hours ago) to Rochelle, Salim, salim ...many feature details/elements of Palestine posters at the PPPA site... Dan http://www.justseeds.org/blog/2011/10/judging_books_by_their_covers_81.html Salim Tamari st372@georgetown.edu 4:34 PM (4 hours ago) to Vladimir, me, Rochelle Lovely site thanks. I am proud that issue no. 202 is based on a painting by my cousin Vladimir. Salim Salim Tamari Visiting Professor of History Center for Contemporary Arab Studies Georgetown University 241 Intercultural Center Washington DC 20057 www.JerusalemStudies.org st372@georgetown.edu office phone 202 687 0351 cell phone 202 615 1035 Vladimir Tamari vladimirtamari@gmail.com 9:07 PM (0 minutes ago) to Vera, Salim, me, Rochelle Thanks Salim hello Dan and Rochelle. No 215-16 features a slkscreen print by Kamal Boullata entitled "Thawra-Thrwa" viz: Revolution-Wealth As Salim said 202 features a painting that you can see in the Influences and Motivations article on my website below/Life and Times section. The last one is almost surely by one of the Shammouts Ismail or his wife Tamam. Its been a while! The magazine title is شؤون فلسطينية Shu'un Falastiniyyah. Salim was'nt the editor Anis Sayegh who lost fingers when the Israelis sent him a parcel bomb? Interesting you mentioned Cuban graphics I once received a letter from them the paper and envelope were of the poorest quality almost certainly handcrafted in beautiful textures and pastel colors. By necessity not choice I presume. Cheers Vladimir
http://www.justseeds.org/blog/2011/10/judging_books_by_their_covers_81.html
About a month ago I started getting emails from my friend Charles, who works for the Journal of Palestine Studies. He started digging up old issues of an Arabic language sister journal Sha’un Falastiniya, with amazing covers. According to Charles, "Sha’un Falastiniya (Palestinian Affairs) was first released by the PLO’s academic department. in 1971—in Beirut—called the Palestine Research Center. It was edited for a while by the legendary Palestinian poet Mahmud Darwish, before it and its staff were eventually pushed into exile in Cyprus with the rest of the PLO, during the Israeli invasion of Lebanon in 1982. It finally stopped publishing in 1993 in Cyprus. It contained political, literary and academic articles, analysis, criticism, and book reviews." Although I only have these ten issues to draw from, the early issues have a similar vibe to some of the design work in the Cuban journal Tricontinental (produced by OSPAAAL, the solidarity organization well known for its poster design). They are diverse and open in color scheme, and use a lot of found imagery, mixing things that otherwise wouldn't go together (for example, 18th or 19th century landscape etchings with photographs of Palestinian guerrillas!). At the same time the clean masthead and limited palette (most are duotone or tritone, not cmyk) combine with the classical print imagery to generate a very clean, efficient, and almost conservative design. Issue #12, below left, has multiple images of Ghassan Kanafani (Palestinian author and leader of the PFLP) layered over a 19th century etching of Jerusalem. This cover is the most OSPAAAL-esque, with its push and pull between the past and present, color saturated images, and oblique reference to armed struggle. The cover next to it (Issue #13, 1972) is much simpler and cleaner, and the simple act of colorizing the etching makes the cover. Issue #14 features a 1920s image of Jerusalem from the 1920's, with a decoratively framed inset image of the above mentioned fedayee. The cover next to it is #25, from 1973, and is a grid of propaganda books which are celebratory of zionist terrorism, drawing a contrast and connection between the armed struggle of the PLO and the brutal tactics of the early zionists. It appears as if a new designer took over between the early editions above, and the later ones below, from the mid-80s onward. Either that or the covers are just a sign of the changing aesthetic tastes of the times. These newer covers are much less designed, and instead are more illustrative, with a single painting making up the entire cover below the masthead. (Below are issues #176/177 form 1987, and #202 from 1990) A painting of a statue-like central figure dominates the cover of Issue #209 (1990), below left, with a swirl of abstract, multi-colored text filling its core. Are the words the heart or soul of the person? Trying to escape through its mouth? Issue #215-216 (1991), below right, seems to be an exception to the painted covers, with a cover that appears to be derived from a tapestry, or patterned fabric. It's pretty striking, and I wish I could read the text that appears to be embedded in it. This last cover (issue #221-222, 1991) has the most representational of these later covers, with an expressive painting of a crowd in motion, women and children both facing off against and running from a phalanx of Israeli soldiers. Charlie also sent me a scan of the back cover, which gives some more contextual information for the magazine.